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It
all began in West Germany. Five young men stationed in the U.S.
Army came together after work, went to the social clubs to play
pool and sing a little harmony. This group was known as ‘The
Cashmeres’. The Cashmeres joined with three young female vocalists
in the same city and called themselves ‘The
Cashmeres and The Black Pearls’,
patterning themselves after ‘The Temptations and The Supremes’.
As time went on, three of the men left for England and Vietnam
and the ladies also departed, leaving Johnnie
Wilder and
one other group member to form a new four-man vocal group called
‘The
Nobelmen’,
who picked up a backing band called ‘The
Soul Sessions’, an all-German Band that liked to play what
they called ‘Soul Music.’
Faces continued to change within the band and Johnnie ended
up being the lead singer of the group that became known as ‘J.
Wilder and The Soul Sessions’. After Johnnie’s military
tour ended, the group went through many transformations and
additions. Johnnie went to an ex-U.S. Air Force friend named
Tommy
Harris who
had a group in West Germany called ‘The Upsetters’. The remaining
members of ‘J. Wilder and The Soul Sessions’ combined with ‘The
Upsetters’ and became the nucleus of the now famous group known
as ‘Heatwave’. Original members were: on bass, Eric
‘funky man’ Joseph,
on keyboards, Eric
Johns,
on guitar, Jessie
Whitten, vocalist,
Barbara
Bell, on drums
and vocals, Tommy Harris, and Johnnie.
The group derived its name from the days when they were rehearsing
in an old run-down building in Germany with a radiator that
that kept percolating on the heat year round, thus ‘Heatwave’.
Before long, Heatwave was in search of a new female singer and
keyboard player. They were introduced to a young lady who sang
locally named ‘Poochie’.
Around the same time, an accomplished English keyboard player
named Rod
Temperton
was also added. Following that a new bass player, Mario
Mantese joined
the group. With the introduction of Rod, Heatwave had its first
opportunity to start working in Great Britain. After working
two tours at a time in Great Britain, one female singer left
the group and two female singers, Latisha
Harmon and Audrey Hayes
briefly replaced her. It was also during this time that the
group suffered a tragic loss of one of its original members,
Jessie Whitten, who lost his life in an accident. Although devastated,
Heatwave regrouped, added a new female singer and the musical
flame was rekindled.
While playing a series of dates in Switzerland, drummer Tommy
Harris decided he needed a break from the road. While in Switzerland,
Heatwave was introduced to an enthusiastic drummer by the name
of Ernest
Berger who later became known as ‘Bilbo’. Shortly after
while the group was in London, Eric
Johns Rasmussen, a very good guitar player, was added.
Heatwave was now working more in England and subsequently moved
to Northern England. The first demos were recorded here, all
original songs written by Rod Temperton. Records were printed
and the group began shopping for a recording deal. At this time,
another lead vocalist, Keith
Wilder, Johnnie’s brother, was added to create a more full
and diverse sound, and they emerged as the two lead singers
for the group.
While touring Europe the group’s popularity increased,
especially when they returned to London as the opening act
for groups which were well-known in America. Heatwave had
generated a large following at the time when the age of
disco was becoming more popular. When they arrived in London
there was interest from a small, independent record company,
GTO Records. While other record companies were rejecting
Heatwave’s advances into the record industry, GTO thought
otherwise. And this started Heatwave’s recording career
for its first record label, GTO Records.
The inaugural album ‘Too Hot To Handle,’ saw as its first single
release ‘Super Soul Sister,’ a great dance tune that received
very little airplay. The second release ‘Ain’t No Half Steppin’,
was a popular dance song in the nightclubs of the disco scene
and received moderate airplay. The third single ‘Boogie Nights,’
was released January 7, 1977. It was a major success for Heatwave
and proved to be the turning point of their career. ‘Boogie
Nights’ was a number one single in Europe and provided an opportunity
for people to hear Heatwave in America for the first time. Later
that year the release of the classic love ballad, ‘Always And
Forever’ demonstrated the versatility of the group, showing
their ability to do both dance songs and ballads. In 1977
Roy
Carter from London,
England was added as additional (guitar, bass, keyboards) player.
Album number two, ‘Central Heating’ was recorded in London,
England. With the multi-Platinum success of Heatwave’s ‘Boogie
Night's and ‘Always And Forever’ taking off in America, there
was interest on the part of CBS Records in the group as it was
blazing the charts from London. This also led to Heatwave’s
first invitation to play live before an American audience. CBS
Records invited Heatwave to perform in front of an audience
of 16,000 at the celebration of Martin Luther King, Jr’s birthday.
All these events were taking place while recording the second
album, ‘Central Heating’, in addition to negotiating a record
deal with CBS Records. Later in '77 Billy
Jones from Dayton, Ohio (cousin to Wilders) became lead
guitarist. Also in '78 Calvin
Duke from Brooklyn,
NY. (Fatback Band) became the new keyboardist.
Now more visible than ever, Heatwave toured with major
recording artists in the US. Throughout the tour Heatwave
enjoyed tremendous popularity through increased radio
airplay of the first single ‘Groove Line’ and expanding
media press coverage, hailing the group as exciting, and a
‘must see’ in concert. All of this was taking place
while the second single ‘Mind Blowing Decisions’ was
rising on the charts. Subsequently Heatwave returned again
to England to start their third album.
Embarking on the recording of their third album gave them the
opportunity to record in various studios in countries besides
London. It was during the recording of the third album that
another turning point severely impacted Heatwave’s career. On
February 24,1979, Johnnie Wilder was involved in a traumatic
automobile accident which left his body paralyzed from his neck
down. This would be the third of a series of traumatic events
in the life of the group. The original guitarist, Jessie Whitten,
was involved in an accident and was killed while on a break
from touring.
Mario Mantese,
the bass player, was in an accident that left him in a coma
for six months and after recovery, rehabilitation and recuperation,
had limiting physical abilities, which made him unable to play
bass for the group. Thus the addition of
Derek
Bramble from London, England on bass guitar.
Johnnie’s accident left him in the hospital for one year. It
was during the time Johnnie Wilder was in the hospital that
the completion and release of the album ‘Hot Property’ had taken
place. The group continued to tour with the addition of a lead
vocalist, James
Dean Nicolas, better known as JD, who would later sing with
the Commodores. After his dramatic recovery, Johnnie continued
to accompany the group on occasion for performances in America
or in Germany. During this time the group returned to London
to start the recording of the fourth album, ‘Candles.’
While recording the ‘Candles’ album Johnnie had taken the seat
as co-producer all the while still singing on the album. Because
of the rigors that Johnnie went through it was a particularly
difficult album to record. With the group finding the determination
and willpower to carry on, the album was completed. Fueled by
great songs written by Rod Temperton, showcasing the emerging
writing ability and continued singing of Johnnie Wilder, the
group ended up with another successful album. Heatwave enjoyed
another series of American concert dates before they decided
to move back to England where their popularity had not wavered
and their records were still very successful. After completing
a series of dates in Europe, Johnnie decided to move back to
America to live in a more permanent home-based setting. Life
on the road began to take its toll on Johnnie. In spite of this,
he lost no interest nor his love for his creation of Heatwave
or his passion for Heatwave’s music. Around this time
Keith
Harrison, from Dayton, Ohio was added as the second keyboardist
and later played with the Dazz Band. While back
in America, plans were being made to record a fifth album, ‘Current’.
Once again, the album boasted great songs from Rod Temperton,
a beautiful song by Derek Bramble and two songs by additional
writers.
In the tradition of previous Heatwave albums, Johnnie sang lead
and background vocals throughout;. Heatwave also employed additional
vocalists, some of which were musicians in the group - Keith
Wilder, Billy Jones, Calvin Duke, Keith Harrison and session musicians were also hired for the first time in this
album to create a new style of recording, yet not departing
from the Heatwave influence. Even though the album had great
songs, it lacked the same luster, in the change of voices and
style that the previous Heatwave albums had. Though moderately
successful, the album entitled, ‘Current’ was the last of a
five album record deal that Heatwave recorded with CBS/ Epic
Records.
Heatwave amassed many achievements, accomplishments, and awards.
They had the opportunity to perform before hundreds of thousands
of people both in the United States and many of the European
countries. Heatwave received gold and platinum records for ‘Too
Hot To Handle’ and ‘Central Heating.’ Heatwave also received
platinum awards for the singles, ‘Boogie Nights’ and gold awards
for ‘Always And Forever.’ It followed with the platinum award
winning single, Groove Line’ and gold single, ‘Mind Blowing
Decisions’. Heatwave also achieved gold status with the third
album, ‘Hot Property.’ Heatwave’s fourth LP, ‘Candles’ and fifth
album, ‘Current’ also sold over five hundred thousand units.
In addition, Heatwave sold many albums and singles earning gold
and silver awards
in Great Britain.
The journey of Heatwave is one of a group that surged to
international prominence, which threatened to be eclipsed by
tragedy, yet continues to shine intensely in the hearts of
those who were ignited on the dance floor by the infectious
grooves; electrified at live concerts by the fiery
showmanship, and warmed by the smooth ballads that have made
them internationally famous.
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